Friday, July 2, 2010   
MUSE Insomnia milonga @ City Dance  Annex.  I don't usually give ratings for milongas, but if I did,  this one would get five stilettos (out of a possible five).  Wow.  What  can I say?  I had a blast.  Just across the street from the San  Francisco Costco, City Dance Annex is a beautiful, modern loft-like  space with high ceilings, great sound system, and wonderful sprung maple  floor.  There were high-quality, fingerprintless mirrors on two sides  of the large, spacious room, with bench seating on the other two sides  of the box-shaped room.  Ceiling fans provided extra ventilation.   Howard, the organizer, did a fine job DJing and catering (cherries,  organic grapes, plain tortilla chips, red and white wine, Coke, iced  tea, and water).  There were also carne, pollo, y champiniones empanadas  by El Porteno for sale ($3 for 1, $5 for 2), made from high-quality  ingredients like organic Prather Ranch grass-fed beef, free range  chickens, and locally grown mushrooms.  Parking could be easily found  within a block or two, which was kind of surprising since it's around  the corner from Slim's and other live music/dance venues.  The milonga  was only lightly attended since there were so many other tango events on  the same night (especially Nora's Tango Week).  But the Leader quality  was superb, and the guys were all of the social, community-building  school.  I had never danced with the organizer before, and I was  absolutely amazed at how well he danced.  El Russo is back from the  Motherland, so whatever milongas he shows up at are much better places  because of his presence, including this one.  Because the milonga was  lightly attended, we all got to dance a lot with each other, more than  we usually do at other milongas, where we'd typically dance one or  perhaps two tandas in one evening together.  So I got a chance to dance  several tandas each with several excellent leaders.  It was any  tanguera's dream milonga.  I will most certainly will be back for future  milongas.  Interestingly, I got to talk to Chino de Nueva York a little  bit...well, actually a lot. It's funny, we've danced together for a  while now, but I really didn't know much about him at all, other than  him being from the Big Apple.  Well, he was in a very chatty mood, and  it was nice getting to know him a little better.  We reminisced about  Omar Vega (one of our mutual favorite teachers), talked about the dance  scene in Oakland, and tango, tango, and more tango of course.  It was a  very fun night.
  
Saturday, July 3, 2010
Late Shift Milonga with lesson  beforehand by Rachel Greenberg.  The lesson was a variation on the  ocho cortado (a clockwise turn), and also a counterclockwise turn with  mini-volcadas.  We began with the ocho cortado.  Maestra's variation on  this was that on the Follower's forward step, she should have more of a  tight front cross step where her right foot is pivoted and pointed  toward the Leader instead of the usual forward step more parallel to the  Leader.  Leader also adds more dynamics to this with more  torsion/rotation in his chest.  From here, the Leader leads her to  continue to go around him clockwise with a Follower left foot side step,  at which point he sacadas her trailing right foot with his right foot,  sending it out to tight back cross against her left foot, and then her  left foot coming out forward then back out to resolution.    Next, we  tried a turn to the right, beginning with a side step to the left for  Leaders, right for Followers, into a counterclockwise Follower molinete  of left foot back cross step, right foot side step, left foot tight  forward front cross to one or two no-hip-pivot tight forward ocho  crosses back out to resolution.  Since there were many people who were  very new to tango at this lesson, we also did an exercise where the  Leaders were to get used to the feeling of controlling the Follower's  free leg, and sending it out, and then back in in a tight back cross,  right leg and then left leg.  It was a good class, and we had ample time  to drill while Maestra went around and gave individual feed back to  every single couple.  The milonga itself was quite interesting.  It was  one of the Queer Tango Festival nights, and they chose to be at the Late  Shift.  It was great fun to see so many gorgeous, talented, same-sex  and lead-follow exchange couples, as well as the brilliant Brigitta  Winkler beautifully social dancing with the locals.  As for the dancing  itself, the pickin's weren't exactly slim for the straight female  Followers, but they weren't abundant either.  I still had a good time  since I managed to have several good and a few excellent tandas, and  lots of fun watching everyone else when I wasn't dancing.
Of Tango and Life: lessons on adapting
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Last year I was a Tango Salon contestant in the first Official USA 
Argentine Tango Competition. That experience had been both exciting and 
“challenging” ...
13 years ago
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